AUDIO-REACTIVE
Bolboreta TV
A video synthesizer built in TouchDesigner where sound is the only source material.
2024
// investigación personal — 2024/25
The Lab — code as medium,
The Lab — code as medium,
not method.
This is the most personal layer of my practice.
No client briefs. No deliverables. Just inquiry.
Here, I use TouchDesigner, p5.js, and Ableton Live to build reactive visual systems — where sound becomes structure, data becomes form, and rhythm shapes architecture. These works are not outcomes. They are questions made visible.
Areas of investigation
Audio-Reactive Visuals
Sound as generative input. Frequency as form. Real-time visual architectures driven by acoustic data.
Generative Systems
Rule-based compositions that surprise even their author. Controlled entropy as creative method.
Data-Driven Aesthetics
Translating invisible forces — social, environmental, human — into perceptible, symbolic form.
Lab experiments
AUDIO-REACTIVE
Emotions in Transit
Psychological data from 40 urban commutes, translated into chromatic sound architectures.
2025
GENERATIVE
Human Touch
Body movement as the sole generative input — velocity, trajectory, and hesitation become parameters.
2024
GENERATIVE
La Jaula
A generative typographic system governed by containment rules. Letters mutate under pressure.
2025
GENERATIVE
Disco Covers
A generative system for album artwork — each cover is unique, derived from the same visual grammar.
2024
AUDIO-REACTIVE
Generative Live
Real-time visual systems built for live performance. Sound becomes structure, rhythm becomes architecture.
2025
GENERATIVE
Metalic Shape
Exploration of material properties through generative form. Metallic surfaces, refraction, and volumetric light — computed, not captured.
2025
// tools & methods